I have to agree: Wes Anderson makes movies for yuppie white kids.
This is what really breaks my heart: Wes’ track record with women of colour. Anderson just loves pairing women of colour up with dorky white dudes, shortly after dorky white dudes have been dumped or rejected by white ladies. Even though Rushmore’s Margaret Yang is the fullest of all of Wes’ colour characters, she is still paired up with the loveable/hateable Max after Ms Cross turns him down. It’s the same story with Inez, the lovely Latin American hotel cleaner in Bottle Rocket.
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But the fact that the only role that people of colour can have in his movies are as sexual fantasies, sidekicks or deeply insulting cartoons suggests that, consciously or subconsciously, Anderson doesn’t think that much of real life people of colour. And between you and me, I’m not sure mine and Wes’ friendship can withstand that.
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